The FADER has an nice review of Jamaican Fashion Week. Apparently Georgianna Robertson was one of the stars on the runway:
Of course the spectacle just wouldn't as epic if it wasn't for the star cast of models...Most heartwarming was seeing model Georgianna Robertson take to the runway again for British designer Julia Clancey , a sighting that—in light of current Agyness mania slash overkill—gave us more than passing nostalgia for the old guard of supermodels, real supermodels.
I couldn't agree more. I haven't seen Georgianna in years but I can still remember when she was the model of the moment in the 90s. She was also one of the few models to have lines in Robert Altman's "Prêt-à-Porter." I've always envied her ridiculously long torso and admired her for being one of the few models back then who rocked short natural hair. Truth be told, I'm also bit fascinated by the fact that, like Gladys Knight, she is a Mormon. I'm always wondering what would draw a Black person to that particular faith. Thanks to Camille for the link!
BET News examines the issue in a segment called "Fashion Blackout." I missed the first airing but it will air again tonight at 7:30 (Eastern and Pacific times) and again on Sunday at 11 a.m.
From the website: So is the fashion industry racist? Or are Blacks simply “not in” this season? And why should we care? We will explore the issue and how the exclusion of an entire race has a negative effect on Black women and their sense of self-worth. We go behind the scenes at New York’s Fashion Week to find the answers.
Since this is BET we're talking about, I don't think the segment will be sharing any information we have't already heard but I think it is good that more people are talking about the issue.
Despite being on one of the two covers for the June/July issue of Paris Vogue, Noémie Lenoir has only one photo on the inside of the magazine. She's featured alongside Laetitia Casta in a spread called "French Touch" which was shot by Mario Testino but Lenoir gets only one photo compared to Casta's five and even that one is just a mirror image of one of Casta's shots. I don't really get it but here it is (thanks to Diorette for the scans.) There's another editorial in the magazine with a photo of Jourdan Dunn but if I were you, I'd save up my pennies for July's Italian Vogue instead.
Latoya at Racialicious posted today about her admiration for Skin, the lead singer of Skunk Anansie. Since I too, think this woman is some kind of wonderful, I thought I'd post pic from last year's Gianfranco Ferre campaign (shot by Mario Testino) which featured Skin and Patrick Petitjean.
My personal opinion of Miss Tyra has taken a nosedive in the last several years. To me her self-involved talk show is only watchable via clips on The Soup and the appeal of America's Next Top Model has evaporated. But then, I'm old. These days my tastes run more towards TV Land's "She's Got the Look". I guess I just prefer that my crying model wannabes have stretch marks.
That said, I was surprised to see her name dropped with the likes of Oprah and Martha in The New York Times Magazine. Clearly she's doing something right, even if I don't quite get it.
The article itself is mildly interesting and worth a look if you are at all interested the lace-front mogul.
This bit caught my eye:
From her two shows, Banks makes an estimated $18 million a year, and her net worth is around $75 million. She owns 25 percent of “Top Model” and last fall Bankable Productions signed a deal to develop projects for Warner Brothers television. Their first project is “The Clique,” based on the national best-selling series about a group of preteen girls from the wealthy suburbs of New York. True to Banks’s practical nature, “The Clique” will be produced on a low budget and will be sold only as DVDs, avoiding the costs (and risks) of theatrical distribution.
I remember Tyra saying to Essence Magazine that she was going to use her power in the industry to create rolls for underemployed black actresses. I just wonder if that power will ever create something more exciting than cheaply produced direct-to-video movies and reality shows.
Is there any black actor or celebrity in the industry actually powerful enough to make the kind of film that I want to see? Something that's not Soul Plan or a biopic or something starring a Wayans brother or a black man in a dress?
The 80s were a lot more fun when it came black girl spotting on TV. The fact that I had graduated from cartoons (well, most of them anyway) and was allowed to stay up past 7:30 had a lot to do with that fact. Sitcoms were by an large the staple of my TV diet but a few variety show personalities managed to make an impression on me as well. The longest lasting of these impressions were made by the following ladies.
Darcel Wynne - Lead Solid Gold dancer Darcel was the principal dancer on Solid Gold which just happened to be the best show in the world. She effectively replaced Cheryl Song in my heart as long haired dancing machine #1. Sometimes she danced with the group, other times she danced alone but no matter where she appeared in the musical numbers I was right there with her, imitating her steps in my mother's heels while trying not to break my ass or accidentally fall into our plastic covered couch. Darcel was the original Fly Girl.
Kim Fields - Tootie from "The Facts of Life" Tootie got to live away from her parents AND wear roller skates all the time. If she wasn't living the dream I don't know who was. Also, if the roller set afro was the hair to have of the 70's then surely Tootie's meticulously balanced mushroom took its place in the 80's. The often imitated look was perfected on Kim Fields who displayed just the right length of bumped under bangs to frame her face. In the 90s Brandy would try to revive the look in her short lived sitcome "Thea" but her mushroom was just plain tore up.
Janet Jackson - Charlene DuPrey on "Diff'rent Strokes"/ Cleo Hewitt on "Fame" Janet always seemed to play the shy but sweet girl on television. She also got credit for adding a bit of flair to the standard mushroom cut by feathering her bangs away from her face on Diff’rent Strokes. I'm starting to realize that Janet Jackson for a time was the black female Ted McGinley, brought in after a show has already debuted in order to breathe new life into the storyline. First "The Jacksons" variety show, then "Good Times" followed by "Diff'rent Strokes" and a stint on "Fame." She was the hardest working teenage in show business but why? My theory is that the first morning Janet woke up, went down to the kitchen and saw big brother Michael having breakfast with Emmanuel Lewis and Bubble the Chimp, she realized that she was going to have to have a nest egg of her own.
Lisa Bonet - Denise Huxtable on The Cosby Show Remember when Denise told Theo she could make a shirt for him just like the one he saw at the store? White folks have the “pirate shirt” episode but I have that one. I love Lisa Bonet for being an unapologetic oddball. She was the role model for every left of center black girl I knew growing up, myself included. Like the rest of the country, I had to get my Cosby Show fix every week so I was surprised when I tried to watch old episodes on cable awhile back and just couldn’t get into it. If I could be a fly on the wall I would have loved to see the look on Bill Cosby’s face when he watched that bloody chicken dance scene in Angel Hart. The Coca-Cola and Jello Pudding pops must have shot right through his nose and onto his expensive African American art.
Diahann Carroll - Dominique Deveraux from “Dynasty” I remember watching Diahann Caroll on Entertainment Tonight talking about her role on Dynasty. She said then that she wanted to be the first black bitch on TV. At the time, I was surprised they let her say the word “bitch” on TV which kinda made me scared of her. While her character was indeed a piece of work Dynasty never gave Blake’s black half-sister enough to do. You know that if she got into a fight with Joan Collins one of them would have wound up dead at the bottom of the pool. I thought for sure that she would end up dead at the end of that Moldavian terrorist wedding cliffhanger but she survived to star in a few more seasons.
Regina King – Brenda from “227” Jackee got the lionshare of attention on 227 but for me Brenda, the sulking teenage daughter of Marla Gibbs on 227, was my television doppelganger. Her expertly delivered “Dang!” along with an eye-roll pretty much sums up how I felt from ages 11 to 17. She also rocked a mean mushroom on occasion though she preferred to wear the sides pulled back.
Cast of A Different World I had a hard time deciding which character was my favorite on this show. Was it the straight talking Jalesa or the free spirit Freddie? Hell, even irritating Whitley had ber moments. In the end it all came down to who had the most memorable scene. Once I figured that out, the choice was clear. Pre-med student Kim (Charnele Brown) definitely had the best scene out of all the women on the show when she pwned green eyed brother Shazza Zulu (Gary Dourdan) for snidely using her has an example in during one of his soap box moments. I didn’t see that brother again until the 90s when he was crying in a Janet Jackson video. Punk.
Honorable Mention
Robin Givens I watched Robin Givens on “Head of the Class” all the time but back then I didn’t think much of her. She just kind of scared me. Her icy demeanor, crazy sharp cheekbones and bad reputation, made me support Team Kimberly Russell. Looking back I think Robin probably got a bad wrap, after all Mike Tyson is batshit crazy, and for that I’m giving her an honorable mention here.
Dana Plato from Diff’rent Strokes Look me in the eye and tell me you don’t remember that episode where Kimberly dressed up in blackface for the prom to out her date Roger as a racist.
Okay, so this first in a series of posts has precious little to do with fashion but lately the simple act of opening my mailbox only to find another magazine in there just gives me a headache so I wanted to post about something else for a few days.
I was reading last weekend in Entertainment Weekly about the plan to make 21 Jumpstreet into a feature film. Because I am race obsessed, I immediately started wondering about who would be cast in the Holly Robinson Peete/Judy Hoffs role because you know that, these days especially, kinky hair and darker brown skin isn't viewed as "feature film" ready in Hollywood. My best guess is that producers will go the way of a mixed race light skinned actress or a dark skinned (preferably not American) actress with some of that "good hair" -- if TPTB are feeling particularly generous, then Beyonce might get a call, if they're feeling spiteful then Angelina Jolie is going to be breaking out that pancake makeup and curly wig again. After I spent entirely too much time thinking about this, I started remembering all those other black women (real and fictional) on television both past and present that are sacred too me. Sadly, even after thirty years of television viewing, I still get that deer in the headlights "hey look, a black girl on TV!" euphoria when I see one. I've decided to list here (and in a few upcoming posts,) my all-time favorite black chicks on TV. Note that these are in no particular order and I'm sure I'm missing a few key ladies so bear with me. Please note that additions to the list are welcome.
Maria from Seasame Street (Sonia Manzano)
Okay so right off the bat, before anyone comments, I have to share that when I was a kid my ideas about who is what race were not very clear. My mom is a black Panamanian and she looked a lot like Maria so I just thought Maria was like any other Spanish speaking black person in my family. I have no idea how Sonia Manzano self-identifies but back then I would watch Sesame Street and pretend she was my mom and Gordon was my dad .
Jayne Kennedy Overton
Back in the day, Jayne Kennedy was what Halle Berry is today. That is, she was the black woman who white people name dropped when they had to name a beautiful black woman. She was the first African American woman to appear as a commentator on NFL Today and when I was a kid, I thought she was the most beautiful woman in the world. My uncle Rico used to talk about her so much, I thought he actually knew her. I was clowned hard on the playground for sharing that false piece of information.
Valerie from "Josie and the Pussycats"
This cartoon was already in reruns by the time I was old enough to watch it. All I can really remember is that I had to wake up at 6:30 am to see it on TV. Yeah, those were some miserable days back before TiVo. Okay, so Valerie didn't get to play a "real" instrument and even though I was five, I knew that her character was tragically underutilized but the fact that she got to wear that leotard and furry ears made me a fan instantly. In the abysmal live action movie, she was played by Rosario Dawson.
Diahann Carroll as "Julia" The original "hey it's a black girl on TV!" I mean, damn, she even got her own show (and she wasn't playing a maid.) Again, this is one that I only saw in reruns but my one of my mother's constant refrains from back then was "when are they going to bring my Julia back?" I guess it was her appointment television. Lastly, I think Julia and Pussycat Valerie look suspiciously similar.
Dee Dee (the black Teen Angel from Captain Caveman) Yeah, another cartoon but I was in elementary school and TV wasn't very good back then. I didn't even like Captain Caveman (found him to be a little too creepy) but I felt I owed it ot Dee Dee to watch. She was another character that looked alot like Diahann Carroll. I think it's the hair, cartoonists just didn't know how to draw black hair styles unless it' was in an afro. Dee Dee was fly though, I'd take her timeless mini and turtleneck combo over what that blonde is wearing any day of the week.
Uhura from Star Trek
Uhura. C'mon. This one hardly needs an explaination. She was hot AND she got to work on that giant Lite-Bright that passed as a computer. She wore a sexy red dress and boots and had hair like one of The Supremes. If the more recent Star Trek iterations had characters that looked like Uhura, I'd be a Trekkie.
Dee from What's Happening!
How could I have forgotten forever wisecracking "Dee" --the baby sister of Rog on What's Happening? Yeah, her character was written with heaping spoonfuls of sass but no one else on TV could rock an afro-puff like Dee.
Thelma from Good Times
Forget Janet Jackson's Penny and her love for all things JJ. The cutest chick on "Good Times" was always Thelma and her ever changing hairstyles. From cornrows to the big ass halo afro, Thelma always looked fine and was way more well behaved than her white "One Day at a Time" counterpart Mackenzie Phillips. If Thelma ever tried to pull half of the shit on Florida that Barbara pulled on Ms. Romano, there would have been on less child in the Evans household.
**Honorable Mention**
That One Black Friend of Marsha's on The Brady Bunch
She didn't have any lines and they made her wear sheer white pantyhose with her minidress but even though that mud in Peter's volcano royally fucked up her press and curl and Marsha probablly never invited her over to the house again, I will never forget her.
Cheryl Song (aka That Asian Lady on Soul Train w/ the Long Hair Who Could Really Get Down.) As confused as I sometimes was on issues of race when I was a kid, deep down inside I knew that Cheryl Song was not black even though my cousin and I tried very hard to convince the rest of the family that she was. My argument was that of course she was at least part black because why else would she be on the show and that if you looked closely enough, you could see a little kink in her hair. My older cousin argued that Song had to be black because of her fresh dance moves and dress sense. No one ever bought the argument but it hardly mattered, because Cheryl Song was just a fly ass chick if there ever was one.
I was on a client call, talking to WELLalarm's Stephanie Cion about the development of their website (which is amazing, by the way...makes your medical records available quickly in an emergency), when I said that I needed to jump off the call to dash around for some errands. She suggested I might not want to do that, because within the hour, it might rain. According to the feelings in her feet. I looked out the window, which is covered in brown upholstery fabric to help with concentration, and sure enough, this black cloud rolled in over the upper upper west side of Manhattan. It's sunny now, one hour later.
Beautiful French model Noémie Lenoir graces the cover of the July issue of French Vogue. Are they trying to one up Vogue Italia?
ETA: I guess the answer to that question is not completely since white French model Leticia Casta shares the cover, wearing the same outfit on the flip side of the magazine.
Dara of FashionJunkie.com pulled me aside at this party given by personal stylist, Alexandra Stylist, and requested a private meeting. A private Jeni's ice cream meeting. FashionJunkie is a New Yorker who also knows of and loves Jeni's ice cream! Alexandra is also a Jeni's fan (Dark Chocolate, and the dangerous Black Coffee), so I ordered the ice cream online, and it came, no joke, in under 48 hours, packed in dry ice. I hailed a cab and carried the box of "imported" delicacy into this New York fabulousness. What ensued was basically me as a barrista for 6 pints of ice cream for hipster chics and their men when the band stopped playing. And the band, Leighra, also loved the ice cream. Thanks Jeni's!
Zoe Kravitz is very quickly becoming known for her quirky bohemian fashion sense. The aspiring model and actress has shown up at a variety of red carpet events in the past year and always seems to steal attention away from carbon copy starlets and it girls. While I don't always "get" her ensembles, I can appreciate the fact that she is among that rare breed of celebrity that doesn't seem to rely on what's already trendy to help her put together her various looks. This, it might be added, is a double edged sword. For every head to toe stunner she puts together, there are usually at least three or four complete head-scratchers. That said she is a lot of fun to watch.
For the most detailed directions ever on how to get dark, smoky eyes, see the new blog, Profumeria Virtuale. She is an NYC Sephora makeup artist, so gets to do all of the fun looks. From brushes to colors to what toner to start with to make sure that makeup goes on smoothly. It's like you're at the counter. These directions also include how to get a stagey look.
ATTENTION TO DAVID: THIS IS TOP SECRET WEDDING STUFF. DO NOT READ.
Ok, here it is. The muslin of the wedding dress. I know it looks super plain. And it is, actually. It's based off of this drawing. I think we've since pinned it at the knees to give it even more flare, and perhaps has brought the front of the skirt out fuller. I wish I could incorporate some silk fabric flowers onto it somehow, but we will see. There will be scrunched tulle along the top of the bodice, and the bottom of the skirt will have about 5" in length of pleat. Our next appointment involves me stepping into the dress cut from the actual wedding silk. The back of the skirt will bustle up, but I wish that some tulle could also be coming off the back, although I don't want it to look like a tail. Ha. So, here it is!
Saying publicly to New York Magazine what many of us are thinking, Iman recently expressed concern that the highly anticipated "all-black" July issue of Italian Vogue will just be a gimmick and may not change anything about the lack of models of color in fashion magazines. "I still don't like us to be a caricature...They'll think, 'Okay, we did it.' And then they're done with it, and we'll have to wait till next year." The iconic model also shared her belief that the fashion industry is out of touch and that in 2007 black models in particular were "nonexsistant" and that the industry was "outdated" when compared to other media. The answer, according to the legendary beauty, is to go all Norma Rae on their asses and form a union. "I can only say that one of the reasons is that models have never had unions, so there is no one to say, 'This isn't right.'" Iman, along with Jourdan Dunn, Veronica Webb, and newcomer Arlenis among others, will appear in Vogue Italia in July. Still no official word on which model or models will appear on the cover.
Well Laser Review Researchers, the double pass has proven successful. I was on the more powerful machine, up to at least 40, and maybe higher at times (can't remember). The legs are finally showing signs of relenting, and not just slow growth, but behaving in a way that the other areas (bikini) have already shown. There is more patchiness, and I was able to skip a shaving session, only shaving the lower half of my legs (they have not gotten lasered yet).
And that's really all I can say. We are still not completely done in the areas: thighs, bikini, luv trail. I know that laser hair removal is not permanent but when you see that some hair is totally gone, and the neighboring hair is not, well, it's pretty frustrating, let me tell ya. The Waiting Game is on, a twelfth appointment is booked, and we'll see.
Attention! The movie that David worked on last summer is here. His scenes are in the beginning of the movie, Indianna Jones and the Kingdom of the Crystal Skull. Action takes place on Yale University's campus, as the academic setting for Indie. David's job is to location manage, so he was in charge of making 4 sets of constructions sites go away, or promising a bride that Indie's motorcycle would not disrupt her service when Indie goes roaring by. These are some examples.
This is the movie where it was my 30th birthday (June 5th!) and I packed my bags on a Thursday, got a dog sitter for Gerdy and the cats, took the train to New Haven, CT like a big girl, and was ready for a 30th birthday surprise getaway to Nantucket. Except that, come Friday morning, the team of Very Important People (like, the director) for whatever reason didn't make the flight from LA to NYC, and so had to do their big scout on Saturday, which was exactly when we were supposed to be on vacation. Let me put it to you this way. If you've ever heard of a Katie Kaboom, this was one such time (I was really PMSing, so that didn't help). The weekend started with me at a LaQuinta in the industrial part of New Haven next to an Ikea, which I couldn't access. I was paying my dog sitter to dog sit Gerdy so that I could be in a LaQuinta.
But, the good that came out of it, was that I found my very favorite hair salon (in New Haven) who does all of my dark brown coloring and good layers, and I discovered that I can do very good design work in coffee shops if I haven't gotten out of the Home Office in a while. We also discovered the Thimble Islands, which are opposite from the Long Island Sound, and I personally would have loved to live there, but David says that the 2 hour commute is too long. One and a half hours for me by train, but he needs his car. Not looking to reduce that carbon footprint.
It's the Chi Curl, and I've been mastering it before blogging about it. Couldn't give you a recommended how-to post without being able to curl my own hair with my flat iron, and with a Chi flat iron nonetheless. So here it is. How to curl your hair with your flat iron. After mastering this, you can throw that bulky round brush away!
To show you the curl, half of my hair in this picture just got curled with the flat iron in about 7 minutes. The other half remains straight so that you can see the difference. There are two big tricks to curling your hair with a flat iron: timing and your wrist. Depending on your flat iron, it may take a bit to master this combination. It did me, that's for sure. I thought my Chi was broken and tried to return it, but didn't want to bother. Then one morning, the curls sprang to life.
The curl is in the wrist: Glen is the rock-in-roll hair dresser for WTS Hair in Columbus OH who taught me this technique. He is pulling the hair from top to bottom through the flat iron. But do you see how his wrist is turned? He is turning the flat iron to have the curls go underneath. I have since gotten more layers, and want the layers to curl away from the face, so I have been grabbing my hair so that instead of pointing to the floor, as shown, it points to the ceiling.
Slow that curl: You must pull the flat iron slowly down the small section of hair you have. And by small, I mean small and thin so that the flat iron can cook it properly. Resist pulling the flat iron quickly through your hair, as if your hair is a ribbon that you are curling with the edge of scissors. Pull the flat iron slowly down the length of hair, keeping your wrist turned each time.
Little Tips: Here is what I've realized after curling my hair with the flat iron many times (and if you have your own findings, please tell us in the Comments below!)
You could start with your wrist turned, grab the hair, then flip your wrist back to a normal position, and it may be easier to run the flat iron through.
In the flat iron, your hair might slide and slip out the end of the flat iron. My flat iron , ever so slightly, does not close evenly, and although I thought this was a defect in my flat iron, I've since seen it with other brands. So. As you are pulling the flat iron down your hair, try guiding the tip of your flat iron with your other hand. Don't get burned, though! This is just an ever so slight guidance.
I don't use product on my hair before I flat iron. I did once, and the smoke it produced scared me too much. I do spread some Aveda Smoothing Fluid on it when wet, and then apply the smoothing fluid again when dry.
I think I've touched on why fashion shoots in "exotic" (read non-Western) locals tend to get under my skin. The main issue for me is the tendency for the photographer to use whatever local is handy as a prop and/or or exploit the model's own ethnicity if she happens to be non-White. I've lost count of how many times I've seen British/Jamaican Naomi Campbell dressed as an African villager on the pages of Elle and Vogue.
This kind of shoot is always lazy and sometimes just plain offensive to me but it is a fashion industry staple, just like pictures of models jumping in expensive clothes in American Vogue.
But would the images be as potentially offensive if instead of a white model, a black one was used? Turns out the answer is "sorta" thanks to Vogue's "From Here to Timbuktu" shoot photographed by Mikael Jansson for their June 2008 issue.
Here are the good things. The photographs are beautiful as is the African* model, Liya Kebede. Okay so she's not from Mali but they get points for not trying to dress her in traditional garments right? Unlike many of the models usually used in these themed spreads, Kebede looks genuinely happy to be in Timbuktu in these vibrant photographs that could conceivable come from someone's own scrapbook if the person in question was extremely fabulous. There is only one photo of the model in a actual safari jacket (this one priced at $385 by DVF if you are interested.) No spread like this is complete without a safari jacket, is it?
What really got my attention with this pictorial was the travel diary, written by Sally Singer, which accompanied it. Singer, who describes Timbuktu as a "sandbox at the end of the Earth" that feels to her like the "most priviledged of all playgrounds." Her tone does in words what wasn't quite captured in the photographs, that this country exists solely for the amusement of Westerners that can afford to travel there, it is a playground full of interesting children who are just dying to take one's perfectly manicured hand and show you around the place. One major difference is that thanks to designers like Oscar de la Renta who has "expertly crafted" mudcloth into his Spring '08 collection, everyone wearing the traditional textile in Mali looks like they've "stepped off the Dries Van Noten catwalk." She even takes calling her local guide Oscar as an homage to the designerr because of the tabard mudcloth garment he is wearing. There's no mention of what his real name is.
I must say that I agree with her , it is a relief to take pictures of locals and not have their outfits clash with yours. For example, my husband and I were in Paris last month and I had to spend countless hours on Photoshop editing out all those unsightly natives wearing last season's Agnes B. Quel horreur!
photo source: Faith Akiyama/TFS
*I say African here rather than Ethiopian here intentionally. Even though Liya's East African features stand out in the crowds of Malians surrounding her, in Vogue's view one black person (or African person) is just the same as another.
Location: We went to Maine last weekend...and it was cold and raining!! I really want to add heaters to the rental bill, so we will see. Please pray for us that it will not be cold and raining on said day, which is late August. If it does, though, it will be extra romantic, and we'll have to sneak in more candles to make it super snuggly.
Flowers: Oh, the flowers. We met with the florist, and there might possibly be hanging baskets of purple flowers everywhere. How delightful. I'm very excited about my bouquet, because it is not roses. Don't know why I don't want roses, but I don't. Mom found a clipping in RealSimple of a bouquet with a surprise flower that I can't tell you about until The Day, but if it works, you will be surprised. Let's put it this way: I'm having a bouquet of weeds! Just kidding, but it will be a wild flower theme...
The Dress: Is looking fabulous! Jenny (the dressmaker) and I have been working hard to pin and stitch the muslin into a shape just so. I have been to 4 muslin fittings and our next date is to step into the actual silk dupioni. I have been wearing 3 inch heels in her studio for height, but David and I just looked at ourselves in the mirror, and (throat clearing), I'm taller than him barefoot. It must be all the whole milk I drink. So, if I can find a smashing flat, then that is what I will do. Please put suggestions in the Comments! And I'll have to investigate in Stylehive.
The Bridesmaid's Dresses: They are on the schedule to begin getting made. I love them so much, that I am getting one for myself. Hopefully, they will be short, poof skirts (maybe even above the knee) with a bustier on top, very similar to the Katie James bustier.
The Invitations: This is the next project. Mom is going to find a printer online with a template, and I'll provide some art files. For my own wedding, I didn't want to use a lot of paper. For Mother's Day, I sent Mom the DIY Wedding book from Kate's Paperie (which is also available at Amazon, and if you buy it there from this link, I get a commission!). The DIY Wedding book had a big invitation section with lots of ideas and websites, so I need to get cracking on looking at them.
The Groom's Attire: Eek. David has been working 15 hour days, 7 days a week, so has not been available to shop. I thought I could just make this decision for him (buy the suit, he puts it on), but suddenly he had an opinion about how pale he would look in a very light cream suit. So. Now that I think about it, I will be in off-white/cream, and if he and his merry men are in cream, that could be a lot of cream. The men will have chocolate colored "cosmos" in their lapels, so that will look nice against cream...but hmm.
The Flower Girls: Another eek. This is such a fun dress, so I've been putting off designing it, because they are going to have skirts of tulle. I need to get this done.
Showers: Three showers are in the works for June: One in Cleveland for Clevelanders given by my dear friend and inspiration of the Katie James burp cloth, and one in Columbus for those folks, which will be 'personal' themed! Think bath salts and candles. Hopefully one in New York for New Yorkers, if David is in fact NOT working on a weekend.
This past Christmas, David's sister gave me a table massage to be used on the wedding weekend. When she gave it to me, I thought "Can I use it now?" But based on all of these decisions, I am so glad to have it for the wedding week!
PS! You must go see the movie that David worked on last summer! Indiana Jones and the Kingdom of the Crystal Skull. He managed the locations for the beginning scene with Indie is at his academic location, and rides away on a motorcycle.
Another month, another ho-hum issue of Essence. Don't get me wrong, I love these three ladies and the multiple "collector's edition" covers** with those pretty but predictable portraits are a nice touch but wouldn't it be nice if they featured an up and coming artist for one of the "music issue" covers? Am I the only one who want to see Santogold or Alice Smith get a little more love from our press? Damn, Mary and Jill have become Essence's money shot covers as they seem to be on it a couple of times per year.
Looking back on the 12 issues of Essence published this year, one can easily recognize their cover formula:
Money. No Essence cover is complete with the mention of money and how to get more of it. Appearances on the cover in the past twelve months: 12
Men. Anything from what they think or how to get one of your own. Hell, they'll even pop up on the cover from time to time. Appearances in the past twelve months: 9
Hair. Isn't it funny that no matter how much they tout "sexy new styles" on the cover, when you look inside it's the same lame hairdos that they've been pushing for years? One relaxed bob, a couple of weave styles, and "natural style." I don't think I'd notice if they used the same pics every month. Appearances in the past twelve months: 9
Health. Black woman are more at risk for certain conditions, this is true but the recycled information that Essences thrown on their pages every month isn't getting my attention. Appearances in the past twelve months: 9
Weight. This once overlaps with health on occasion but usually, it gets its own tagline on the cover. Interestingly, there are more references to it on covers produced this year than on last year's covers. Appearances in the past twelve months: 6
The Two Divas: Mary J Blige and Jill Scott. Essences loves them like People Magazine loves Brad and Angelina. Appearances in the past twelve months: 5
**Is there anyone out there who actually collects these issues? Am I going to be sucking my teeth because I recycled mine fifty years from now when they show up on Antiques Roadshow 2058?
The GAP has unveiled their 13 limited edition "ArtistEditions" t-shirts produced in association with the 2008 Whitney Biennial and Art Production Fund. The shirts, which will retail from $28 to $38 were designed by 13 Whitney Biennial artists including Kerry James Marshall and Glenn Ligon . The shirts will be available mid May at select GAP stores and online at Gap.com. They will also be available at the Whitney museum gift shop. Kerry James Marshall, a 1997 recipient of the MacArthur Genius Award, is strongly influenced by the Civil Rights and Black Power Movement but also incorporates comic book culture and traditional Japanese art forms into his works. His work is visually bold and his figures often display a darker than usual skin tone. This aspect Marshall has noted, "emerged from an investigation into the invisibility of blacks in America and the unnecessarily negative connotations associated with darkness."
Glenn Ligon is a conceptual artist whose work explores sexuality, identity and race among other topics. Frequently, he employs materials like new and vintage photography, quotations or found objects into his work.
The last thing I need right now is another t-shirt and of course I am disappointed that there are no Black female artists in this group but I might have to pick up Kerry James Marshall's shirt. I am a sucker for a shirt with a black female image on it that isn't clad in booty shorts.
